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      <title>Inside Musicast Opinion</title>
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      <language>en</language>
      <copyright>Copyright 2008</copyright>
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            <item>
         <title>THE END of Toto</title>
         <description>We knew the day would come. Those of you who put all the puzzle of clues together probably knew it was coming too. And those of you REALLY close to the issue knew it was definitely coming. Well, it came.

This past weekend our good friend Steve Lukather made it quasi-official that TOTO is over. His “formal” announcement came in the form of a letter to friends and fans regarding his exit from the Grammy Award-winning band TOTO. 

If you’re a TOTO fan like me and Rick, we encourage you to visit STEVELUKATHER.net to read his announcement. 

In our opinion, this marks an end to a great 30-year run for a group of guys that started out in an LA garage and became a landmark band and the most sought after world-class musicians in the music biz. The original group consisted of Steve Lukather, David Paich, Jeff Porcaro, David Hungate, Steve Porcaro and Bobby Kimball. At the very end, the band consisted of Steve Lukather, Simon Phillips, Greg Phillinganes, Lee Sklar, and Bobby Kimball…still top-notch musicians. 

Over the 30 year span of TOTO, we’ve enjoyed some of the most amazingly engineered, composed, and performed music…their landmark TOTO IV won record of the year and a slew of other awards. If you stand back and look at what TOTO has accomplished…even as individual members of the band...you can only smile at the incredible influence that this group of musicians has contributed to the face of rock/pop music. 

Look at it this way…only a handful of rock/pop groups have stayed together for so many years. Chicago (40 years!)…and Toto (30 years!) did we miss any?. Many groups have disbanded and reunited after 20 or 30 years for reunion tours…but not Toto. They have stayed together, recorded and toured around the world since day one and their support during the majority of their careers has been in the international market…NOT in the U.S.A. Why? According to Luke, the music industry had snubbed them and other great bands by going for the “fast-cash” of today’s “fast-food” music and pushed out bands that were relevant and still had something to say.

Water under the bridge. 

Over the years, Toto stayed creative and toured to packed audiences around the world. For some reason, Europe, Japan, Germany, Netherlands, Australia, and many many other countries get it. They have loved and supported Toto for over the years. We say thanks to all the loyal fans out there.

So, “if” it’s true that Toto is FINIS, then it’s over. But their music lives on. Me and Rick will continue to enjoy their music and even their friendship. We’ve had the joy of travelling together to MANY of their concerts and have spent time with the band…and to even interview a few on Inside MusiCast. Luke. Greg Phillinganes. Lee Sklar. David Paich. David Hungate. These guys are still GREAT musicians and will subsequently be working a lot more, now that Toto is no more.

But…through all of this, NEVER SAY NEVER. 

What we mean is…you never know about Luke…..he lives for the moment. And that moment could change. (We hope it does).

Long live Toto!


Eddy &amp; Rick.

</description>
         <link>http://www.insidemusicast.com/opinion/2008/06/the_end_of_toto.html</link>
         <guid>http://www.insidemusicast.com/opinion/2008/06/the_end_of_toto.html</guid>
        
        
         <pubDate>Thu, 12 Jun 2008 09:37:08 -0500</pubDate>
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            <item>
         <title>Music For Taxman</title>
         <description>It’s April 15th….and the taxman cometh. 

So, what can you do? 

You gotta pay him. That&apos;s what you do.

Here in the states we pay approximately 15%-35% of your income toward taxes. The sad thing is that everyone here complains about it, when actually they should be thankful that we pay such a low rate as compared to global tax rates.

If I’m correct, our Danish friends pay the highest income tax in the world with it’s top-taxed citizens paying about 68% of their hard earned crowns. Their basic tax rate begins at 42%.

Belgium is up there too, with approximately 50% in taxes and Australia’s 47% right in there.

So, what does this have to do with music? Money. Lot’s of songs have been written about money and I thought that I’d throw a few at you along with some of their catchy lyrics.


THE BIG MONEY
Words by neil peart, music by geddy lee and alex lifeson

Big money goes around the world
Big money underground
Big money got a mighty voice
Big money make no sound
Big money pull a million strings
Big money hold the prize
Big money weave a mighty web
Big money draw the flies


THE MONEY SONG
Words by monty python

I&apos;ve got ninety thousand pounds in my pyjamas,
I&apos;ve got forty thousand french francs in my fridge.
I&apos;ve got lost of lovely lire,
Now the Deutschemark&apos;s getting dearer,
And my dollar bills would buy the Brooklyn Bridge.
Chorus: There is nothing quite as wonderful as money,
There is nothing quite as beautiful as cash.
Some people say it&apos;s folly,
But I&apos;d rather have the lolly,
With money you can ma-ake a splash.
Finale: There is nothing quite wonderful as money,
(money,money,money,money)


MONEY’S TOO TIGHT TO MENTION
Words by simply red

I been laid off from work my rent is due
My kids all need brand new shoes
So I went to the bank to see what they could do
They said son looks like bad luck got a hold on you

Money’s too tight to mention
I can’t get an unemployment extension
Money’s too tight to mention

HAPPY TAX DAY!  

</description>
         <link>http://www.insidemusicast.com/opinion/2008/04/music_for_taxman.html</link>
         <guid>http://www.insidemusicast.com/opinion/2008/04/music_for_taxman.html</guid>
        
        
         <pubDate>Tue, 15 Apr 2008 14:43:32 -0500</pubDate>
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         <title>A Classical Rush Hour Experiment</title>
         <description><![CDATA[<em>I remember reading a wonderful article by  Gene Weingarten of the Washington Post last year. It was an experiment to see if the music of one of our nation's great classical violinists would cut through the fog during a D.C. rush hour. Here is the article.
(Due to it's length, you'll find the rest of the article in the PEOPLES forum under the Musician's Mind).</em>

HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.

It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. 

Each passerby had a quick choice to make, one familiar to commuters in any urban area where the occasional street performer is part of the cityscape: Do you stop and listen? Do you hurry past with a blend of guilt and irritation, aware of your cupidity but annoyed by the unbidden demand on your time and your wallet? Do you throw in a buck, just to be polite? Does your decision change if he's really bad? What if he's really good? Do you have time for beauty? Shouldn't you? What's the moral mathematics of the moment?

On that Friday in January, those private questions would be answered in an unusually public way. No one knew it, but the fiddler standing against a bare wall outside the Metro in an indoor arcade at the top of the escalators was one of the finest classical musicians in the world, playing some of the most elegant music ever written on one of the most valuable violins ever made. His performance was arranged by The Washington Post as an experiment in context, perception and priorities -- as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend?

The musician did not play popular tunes whose familiarity alone might have drawn interest. That was not the test. These were masterpieces that have endured for centuries on their brilliance alone, soaring music befitting the grandeur of cathedrals and concert halls.

The acoustics proved surprisingly kind. Though the arcade is of utilitarian design, a buffer between the Metro escalator and the outdoors, it somehow caught the sound and bounced it back round and resonant. The violin is an instrument that is said to be much like the human voice, and in this musician's masterly hands, it sobbed and laughed and sang -- ecstatic, sorrowful, importuning, adoring, flirtatious, castigating, playful, romancing, merry, triumphal, sumptuous.

So, what do you think happened?
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         <link>http://www.insidemusicast.com/opinion/2008/02/a_classical_experiment_during.html</link>
         <guid>http://www.insidemusicast.com/opinion/2008/02/a_classical_experiment_during.html</guid>
        
        
         <pubDate>Wed, 27 Feb 2008 09:00:18 -0500</pubDate>
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         <title>Expanding Your Musical Horizons. Your New Year’s Resolution.</title>
         <description>Everyone is making New Year’s resolutions. Have  you made yours? Some try to lose weight….(OK….so I can stand to lose at least ten, big deal). Others try to quit smoking. Some try to be a better person. As for me? My resolution is to simply listen to more music. I want to learn more about genres that have not commanded my attention. Opera. Country (oooh…..that was painful….but I said it). Gospel. Classical. Big Band. (After thinking about it a bit, I take back Country. Can’t do it. Cancel more Country. Give me more jazz instead).

Seriously, what do you wish to accomplish musically this year? I know it’s a funny question, but you don’t have to be a musician to answer it. 

Whatever it is, plan it out. Go to more concerts. Attend music seminars at your local music store. Subscribe to a music magazine…..Guitar Player, Keyboard, Mix, Modern Drummer….whatever. There are so many great publications out there. Also, take time to listen to our Inside MusiCast interviews. If you’re new to the site and podcast, take time and listen to our archived chats with some of the best in the music biz.

I encourage you to expand your musical horizons and go where you haven’t gone before…..that is, musically. 

Happy New Year.


Eddy Cabello
Inside MusiCast
</description>
         <link>http://www.insidemusicast.com/opinion/2008/01/expanding_your_musical_horizon.html</link>
         <guid>http://www.insidemusicast.com/opinion/2008/01/expanding_your_musical_horizon.html</guid>
        
        
         <pubDate>Tue, 22 Jan 2008 16:34:26 -0500</pubDate>
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         <title>Deck the Halls with Musical Memories!</title>
         <description>Ahhhhh, Christmas. I must admit…I really love it. I especially love Christmas music. You see, my earliest musical recollections as a kid were Christmas albums that my mom and dad had purchased or won in some give away. In fact, I clearly remember at least 2 or 3 Christmas albums that my parents always played during the holidays. The first was a Christmas album…(vinyl, of course)….released by Singer Corporation (you know, the sewing machine maker), and it had a huge photo of Donna Reed and her family on the cover holding presents. It was a free record that was given to my mother at the Singer Sewing Shop. My mom was a seamstress…or at least, she liked to sew a little. So, they gave her the album. We played it until the grooves wore out. Do you remember the Donna Reed Show? It was a B/W TV series that aired in the ‘60s along with My Three Sons and others like it. If not, don’t worry. All I know is that every song on that Christmas album was played over and over while we sat watching the Christmas tree. We didn’t have the luxury of a TV back then, but sure made the best of the music. That was the first Christmas record that I can remember in our house. 

The second vinyl record was yet another free record that my family received at a Kentucky Fried Chicken Restaurant. “WHAT”…you might ask? Fried Chicken and Christmas music? Yeah, that’s right. Every year (for several years, in fact), KFC pressed Christmas albums to sell during the holidays at the restaurants. And the face that you see of the old man with the goatee on the KFC signs is none other than the infamous Col. Harlan Sanders, brainchild and founder of the Kentucky Fried Chicken empire. He was from Kentucky (actually from Southern Indiana), and he took pride in not only selling his famous recipy fried chicken, but also playing mandolin with his mandolin band. Yessirree….every Christmas we played the Colonel’s Mandolin Christmas music through the house. It was actually surprisingly nice music.

Yes, Christmas music was special to us at our house when I was a kid….but it wouldn’t have been special if it wasn’t for our Christmas Albums.

I could go on and tell you about my Alvin and the Chipmunks Christmas Album….but you probably have that vinyl album.

Merry Christmas everyone.


Eddy Cabello
Inside MusiCast
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         <link>http://www.insidemusicast.com/opinion/2007/12/deck_the_halls_with_musical_me.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/12/deck_the_halls_with_musical_me.html</guid>
        
        
         <pubDate>Mon, 17 Dec 2007 16:31:30 -0500</pubDate>
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         <title>Welcome to my Digital Frustration: The XM Radio Smorgasboard</title>
         <description>I own two cars that have digital radio capabilities on the stereo systems. After a couple of years of enjoying streaming music of almost every genre and style available, I have become simply overwhelmed at the vast amount of choices of music and audio entertainment that is available inside the comfort of my cars. I mean it. There are now so many choices that I feel I sometimes have a difficult time selecting what I want to listen to. And to make things worse, the channel selection process usually always happens while I’m driving (sure, I use the steering wheel buttons to ensure safety). But, often by the time I arrive to my destination, I’ve barely had a chance to enjoy what I’ve just found. That’s frustrating because it happens all too often. At the heart of the matter, is the fact that my personal taste in music is exceedingly broad. I don’t mean that in a boastful way, but, I really love anything from classical to jazz; French pop to classic rock; adult contemporary to smooth jazz; chill out/trip hop to country; from Salsa to Show Tunes….that’s where I have the problem. I like it all!! To that end, finding a channel that I can settle on is a hellish process. Digital radio is torture for me. 

And now, do you want to hear what makes it even worse? I have two teenage daughters who, when in the car with me, want to hear “their” favorite digital stations…while I’m driving. And that’s where I break. I’ve now become a Digital Radio Music Channel Selection Control Freak. No one else in the car can play their digital music or their favorite XM channels…at least not while I’m driving the car. I&apos;m not ugly about it, just very contolling. It’s absurd, but true!! I’ve gone off the deep end. Amidst the fact that I can’t even choose my own channels to listen to….I now won’t allow anyone else to enjoy their choices.

I need some digital counseling. I feel like a little yapping dog that barks at anyone who even looks at his bone. My bone. MY BONE!! Don&apos;t touch MY BONE!!

In my case.....it&apos;s My Digital Channel…..MY DIGITAL CHANNEL!!!

(I love technology).


Eddy 
</description>
         <link>http://www.insidemusicast.com/opinion/2007/10/welcome_to_my_digital_frustrat.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/10/welcome_to_my_digital_frustrat.html</guid>
        
        
         <pubDate>Mon, 22 Oct 2007 16:15:48 -0500</pubDate>
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         <title>Music = Love</title>
         <description>Fact: If there is one theme that rises above all it all in music, it has to be LOVE. So with that in mind, I’ve listed some famous love songs below….and maybe it will trigger a memory of someone you love, someone you’ve married, or someone who you dumped. Either way, the good and bad about LOVE will always be part of music.

Here’s what I ask…if you know who the singers/bands are, post your answers in the comments area of this post….some are REAL easy…..then there are some TOUGH ones. Good luck. And….try not to use the web to cheat….give it your best try without it….then check your answers.

Hello Darlin’
I Miss You
I’m like a Bird
A Groovy Kind of Love
This Magic Moment
Without You
You’ve Got a Friend
Sometimes when we Touch
Cherish
Dreaming of You
Forever and ever, Amen
Just the Two of Us
All I have to do is Dream
Baby, come to me
Burning Love
My Romance
O Sole Mio
Put Your Head on my Shoulders
Smooth
Sexual Healing
Strange Magic
The Flame

Have fun….

Eddy
</description>
         <link>http://www.insidemusicast.com/opinion/2007/09/music_love.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/09/music_love.html</guid>
        
        
         <pubDate>Fri, 21 Sep 2007 17:34:18 -0500</pubDate>
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         <title>College Fight Songs…Music To My Ears!</title>
         <description><![CDATA[Well, College Football (American) is underway! And I’m loving it big time. There’s something about College Football that officially starts the Fall season and ignites a certain excitement from young to old. I experienced it this Labor Day weekend. The only bad thing about our season opener is that my team was totally creamed. Beat bad. But, I can live with that…you see, we had a wonderful time tailgating before the game with the kids and with friends who are bona fide football fans. 

Although Professional American Football is also starting, College Football is a totally different experience as college marching bands provide the music to cheer and sing to. From here on out, College Football Fight Songs will be played every weekend across the country (States)…in every College town. 

So, whether you’re a Michigan, Florida, Ohio, Ball State, Texas, Penn State, Illinois, Northwestern, Notre Dame or even USC, the fight songs are so important and part of your College Football experience and have a deep university history. Here’s a little history of some of the most notable College Fight Songs.

Two brothers who were University of Notre Dame graduates wrote one of the most recognizable collegiate fight song in the nation, the “Notre Dame Victory March” just past the turn of the century. Michael J. Shea, a 1905 graduate, wrote the music and his brother, John F. Shea, who earned degrees in 1906 and 1908, wrote the words. The song was copyrighted in 1908 and a piano verson, complete with lyrics, was published that year.

In 1898 the University of Michigan's football team won its first conference championship by scoring one more point than the Chicago Maroons, then the heaviest team in college football history. So impressed was Louis Elbel that after celebrating with other U-M fans in Chicago's streets, he realized that U-M did not have the "right" celebration song. On the train back to Ann Arbor, Elbel took his original melody jottings and turned them into a big march. He called the final musical piece "The Victors" after a U-M football win in Chicago.

USC dental student Milo Sweet as an entry to inspire fans and players in a Trojan spirit contest composed the University of Southern California’s fight song, Fight On, in 1922. According to legend, Fight On blared from the deck of a transport ship as the Americans stormed an island held by the Japanese during World War II. On hearing the song, the troops let out a tremendous roar -- and eventually won the Aleutian Campaign.

I would love to mention so many more neat fight songs, even one that might be the song of your alma mater, but I just don’t have the space. What I wanted to point out, was that fight songs are pieces of music that were passionately composed and have endured, in some cases, almost 100 years! Amazing isn’t it? 

If you want to hear clips of College Fight songs, here’s a wonderful link that you’ll love!

<a href="http://www.fightmusic.com">http://www.fightmusic.com</a>
]]></description>
         <link>http://www.insidemusicast.com/opinion/2007/09/college_fight_songsmusic_to_my.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/09/college_fight_songsmusic_to_my.html</guid>
        
        
         <pubDate>Mon, 03 Sep 2007 13:28:25 -0500</pubDate>
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         <title>You Want Genres? I’ll Give You Genres!</title>
         <description><![CDATA[So, you pride yourself in having an eclectic musical palette, do you? You listen to all genres of music, right? I used to feel that way too. I was open to ALL kinds of music! Then I found a little link on the web that busted my bubble. It helped me discover how finite my musical existence and palette really was. And, believe me...there are more genres than you can count…well, almost. 

If you're adventurous, and seek to discover the world of musical genres, I have the place for you. Just click on the wikipedia link below...that will take you to a most comprehensive list of musical genres from around the world. 

From Acid Groove to Doina; Fusion Jazz to Jibaro; from Skate Punk to Visual Rock.  This list is going to suck you into a musical curiosity that you can't escape. Keep in mind that these musical genres are global, so you’ll find Columbian genres along with Hungarian folk music. It’s an amazingly rich listing.

<a href="http://en.wikipedia.org/wiki/List_of_music_genres">http://en.wikipedia.org/wiki/List_of_music_genres</a>

After you’ve had a chance to review the list, believe me, you’ll have an idea as to how small our musical existence really is. The beautiful thing is that you'll understand the vastness of musical culture around the world. 

BTW, my new BEST genre is Ronggeng; a folk music from Malacca, Malaysia. 
(kidding…just kidding).

Enjoy.

Eddy Cabello
Inside MusiCast]]></description>
         <link>http://www.insidemusicast.com/opinion/2007/08/you_want_genres_ill_give_you_g.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/08/you_want_genres_ill_give_you_g.html</guid>
        
        
         <pubDate>Fri, 10 Aug 2007 08:20:56 -0500</pubDate>
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         <title>Sacrificing Benson to the Audio Gods</title>
         <description>Before there were any Best Buys and Circuit City’s, shopping for a home audio system was something really special. I remember the “good old days” when I’d spend hours at the specialty audio/stereo store, carefully testing the most wonderful stereo equipment in the world…the turntables, speakers, amplifiers, and receivers. It was all about the sound. No home theaters; no 5.1; no integrated video. In those days, the specialty stereo store was a holy and sacred place where real men hung out to worship the Turntable Gods - Thorens and B&amp;O … the Speaker Gods – Polk and JBL…and finally, the receiver Gods - NAD, Harmon and Kardon.

So, what did you offer the Audio Gods as an audio sacrifice back then? There was only one option - Original Master Recordings - expensive vinyl TEST records used by the stereo stores - to demo their great audio systems for potential buyers. 

What are Original Master Recordings? Well, in the mid-seventies, a company called Sheffield Labs was leading the way in perfecting a unique recording technique called Direct-To-Disk, where sound went into the mic, through the console, and straight to cutting of a master pressing disc…all in one take. That meant that musicians would have to play through all songs on one side of the record without stopping. No breaks. No retakes. The master discs were then used to press a limited number of high quality virgin vinyl records. The vinyl was such high quality that records were transparent. The sound? Impeccable. And when the master pressing disc was worn or damaged? That was it. Only the Original Master Recordings were left. 

These record discs weren’t your normal vinyl records that you could pick up at any record store. These stereo records were very special (and expensive).

The year was 1976. The album - George Benson’s Breezin’- my first Original Master Recording LP to own and it cost me lots of money – $30. Back then, that was a LOT of money to spend on one record. Over the years, I’ve acquired many Master Recordings, and they still play as new on my B&amp;O turntable.

But, if you haven’t noticed, vinyl records are back. It’s true. Some record companies are actually pressing records on vinyl. That’s not all…you can also buy turntables! Maybe it’s a retro thing. Maybe the market has come full circle and found that vinyl records sounds simple, warm and real. Whatever the case, you might chime in with your comments. I think neat to know that in today’s world, people are buying vinyl.  

Don’t misunderstand me, I still enjoy my iPod, DVD Audio disks and 5.1 ETS engineered albums. I love where technology has taken sound…but, I love the simplicity of a 2-channel audio system where I can play my vinyl Original Master Recording albums over and over and over….the sound is still unbelievable.

Eddy Cabello
Inside MusiCast</description>
         <link>http://www.insidemusicast.com/opinion/2007/08/sacrificing_benson_to_the_audi.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/08/sacrificing_benson_to_the_audi.html</guid>
        
        
         <pubDate>Fri, 03 Aug 2007 08:19:03 -0500</pubDate>
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         <title>Music Isn’t For Listening</title>
         <description><![CDATA[As I prepared to write this commentary, I caught myself and considered my actions. I had launched iTunes on my PowerBook, opened my MP3 library and clicked on a Joe Sample track. You see, I was in the process of creating an environment — a backdrop — to help me get in the mood to write. Capiche? 

I’m sure many of you can relate to the notion that sometimes people play music just to have it in the background. I’ve heard it both ways — some like music playing as they read or carry out the day's activities — and others don’t. Some people need quiet to concentrate and be productive. Some use music to be creative, or just have it in the background at work. Others jam in the car as they drive. Either way, it personally doesn’t bother me, yet I'll be the first to admit, I’m always reluctant to permit my daughters to listen to their iPods while doing homework. I know, I know. It’s a double standard, but, I’m the dad and what the dad says pretty much goes. 

At my office, a design studio that has an open-air environment, we play music all day long, so everyone enjoys it – or at least I hope they do. But, might background music be getting in the way of productivity or does it increase productivity? There are studies that say that working environments that include ambient music relax employees. As a result, people often work more efficiently and are less stressed. I can identify with that, if the music isn't distracting.

Think about it. What a psychological marvel! Music has the ability to affect how you carry out the daily activities in life. Personally, I believe that music has made me a better thinker by just being there for me. It never fails me. When I want to think big and aggressive, ZZ Top delivers <em>Sharp Dressed Man</em> to me on a silver platter. When I’m concentrating and need focus while working at the office, Earl Klugh comes through again with <em>Heart String</em>. When I’m on the road… just driving, Donald Fagan offers me <em>H Gang</em> at the same pace. If I’m feeling romantic… a little Teddy Pendergrass or Grover Washington often does the trick.

You know, music isn’t just for “listening”. It’s also for “doing”. So, I guess I'll just keep on doing what I do. And when I’m done “doing”, I’ll probably sit and listen to some more…well...music. 

Eddy Cabello
Inside MusiCast]]></description>
         <link>http://www.insidemusicast.com/opinion/2007/07/music_isnt_for_listening.html</link>
         <guid>http://www.insidemusicast.com/opinion/2007/07/music_isnt_for_listening.html</guid>
        
        
         <pubDate>Fri, 27 Jul 2007 08:17:45 -0500</pubDate>
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