Futureman

As percussionist and member of the Grammy Award-winning jazz quartet Béla Fleck and the Flecktones, Roy “Futureman” Wooten, loves walking on the high wire of musical experimentation. And, if you’re familiar with the music of the Flecktones, you know exactly what we’re talking about. Futureman, Victor Wooten (Roy’s brother), Béla Fleck, and Jeff Coffin have been creating music from the inside out for twenty years, and the music they create is like nothing else out there. Much more than a musician and composer, Futureman also is an inventor. He plays a modified MIDI-based, SynthAxe dubbed a “Drumitar” that triggers digital percussion modules. The sounds, textures, time signatures, and overall rhythms of his musical creations border on genius. His amazing musical knowledge on theory, composition and rhythm, along with his vast knowledge of music history, will leave you speechless. Go get some java and settle back for our longest interview”! We didn’t cut anything, because we felt that it was all important. Inside MusiCast welcomes Futureman.






Mon, May 19, 2008
Reader Comments (8)
enjoy...
e
We appreciate your comments and are glad that you enjoyed the interview overall. Fuutch is out there..that's for sure....but we enjoyed every minute!
Thanks for your thoughts.
EddyIMC
This was one of the best interviews so far, and I'm really glad you let it run long. It made me look to see if any of those Futureman projects are available on CD or DVD. There was a link to an e-store on his site, but it didn't work.
Is this stuff still in development? Is is more performance-based?
Futureman is definately a gem.
E
Futureman is "out there"....but what an amazing interview, right? Made me really feel stupid at some parts of the chat.
Here's what I think....I think this guy, borders on musical genius...and he's probably a voracious reader. Must read EVERYTHING. From politics, to history, to psychology, to....everything.....and it all ties in with music at some point.
I mean...I never had a clue that classical composers such as Revell and Gershwin hanging out in Harlem...and Stravinski going to jazz clubs...that's not something that you hear on TV...you have to READ that stuff.
Anyway, as to sources, I don't know...I think its just inherent knowledge. I still dig into that interview...but you're right...the stuff is still "out there".
Thanks for your comments.
E
First time I saw the Flecktones I was turning the dial on my TV and I just happened on their Lonesome Pine Special as it was starting. I was mesmerized by the talent of all the band members.
As Futch said it was like lightning had struck four times, but being a drummer myself Futch caught my eye. What the hell was he playing? You could see he was a character and his presence and the awesomeness of his talent popped out even across the TV.
I called my wife into the room and we both watched stunned at what we were hearing. I felt as excited as I did when I first saw the Beatles on Ed Sullivan back in Feb.1964. I was seeing and hearing something new and totally original. Needles to say I became a lifelong fan. Not quite a Fleckhead but a dedicated fan.
I've seen the Flecktones live several times now and they have never failed to amaze. They were also the first band I ever saw that came back out to hang with the audience after the show signing autographs and chatting with the fans. I've had the chance to talk with Futch about drumming after a couple of shows but as you can hear he loves to chat about stuff and I always feel guilty about hogging his time while other people were waiting to ask him stuff, but how do you walk away from a drumming discussion with Futureman?
The Flecktones aren't just pioneering musicians they're Gentlemen in the truest sense of the word.