Monday
Nov022009

Arif & I

Let me tell you about my very first session with the great Arif Mardin.

It was somewhere around mid-1981. By this time, as a keyboardist, I was definitely the new kid on the block, so to speak. Yet, I was busy, and a lot of sessions were happening all at once.

Arif was producing Aretha Franklin and needed a piano part replaced. His office booked me for a night session. Earlier that day I had been at Hollywood Sound recording Charlie Dore with most of the boys from TOTO. I rushed over for a 7pm start at Sunset Sound, also in Hollywood, and met Arif for the very first time.

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Monday
Sep212009

Find The Joy

I was thankful for the opportunity to write this article for Eddy and Rick at Inside MusiCast, until I realized that I would have to try to make sense of a career that makes very little sense. Trying to order steps to achieve some sort of successful livelihood in an unstable and insecure business is actually impossible.

In a way, for me, at its very core is the need for the miraculous. I am still doing what I think I love after 37 years. The reason I say, “what I think I love”, is that much of the time I found myself trying to figure out the ever-changing task of figuring out what someone else wanted to hear. That wasn’t necessarily a bad thing, but it would take some of the joy out of the creative process. This is truly a fact that follows anyone through a career in the music business. I used to say that I could count the number of times I was truly satisfied on one hand.

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